tumbled/from woopwoop:
Gord Downey “Chancellor”
With 1,517 listeners and 24,962 plays at Last.fm, Coke Machine Glow was the first solo album released — in 2001 — by Gordon Downie, lead singer for The Tragically Hip.
Coke Machine Glow, the album, has been written up at Wikipedia. Also, pay The Tragically Hip a visit at Last.fm or at Wikipedia.
Disambiguation: cokemachineglow is a music digest (no relation to the Gord Downey album or Gord Downey’s book of poetry by that name).
My Weekly Top 10 Artists at Last.fm (20.7.2008)
- Sparklehorse 225
- The Jesus and Mary Chain 165
- Mystified 117
- Brian Eno & John Cale 115
- Gregor Samsa 97
- Songs To Sleep To 81
- Horchata 75
- Supergrass 65
- Andy Partridge & Harold Budd 61
- A Hawk and a Hacksaw 54
LiquidID: A Buffer for OpenID
WebWorkerDaily
“Wanting to use OpenID, but concerned about some of the problems? Take a look at LiquidID, which combines the single sign-on and universal identifier features of OpenID with management tools to help you manage your ID with more precise tools. When you sign up for an OpenID at LiquidID, you can use it just like any other OpenID. The key difference is that LiquidID proxies your real email with a unique throwaway email address.
After you log into an OpenID-using site, any mail the site sends you is proxied through LiquidID. If the site annoys or harasses or spams you, you can simply delete them off your LiquidID account and that’s the end of it…”
Dylan's Real Moments
Photo Essays/ TIME MultiMedia
“A new book of photographs by his friend Barry Feinstein takes us behind the scenes during Dylan’s first electric tour of Europe…”
‘Home Delivery’ - At MoMA, a Look at Instant Houses, Past, Present and Future
Design Review/ New York Times
“The idea of a well-oiled assembly line churning out gleaming and affordable new houses, flooded with light and as compact as a ship’s cabin, is a well-worn Modernist fable.
For the average middle-class American, however, prefabricated housing has always lacked sex appeal. The masses tended to prefer a traditional style, no matter how shabbily designed, and never really bought into it. Nor did most of the industrialist tycoons with the money to make the dream real.
So “Home Delivery: Fabricating the Modern Dwelling,” which opens on Sunday at the Museum of Modern Art, is a delightful surprise…”